Showing posts with label travel sketches. Show all posts
Showing posts with label travel sketches. Show all posts

Thursday, December 31, 2015

Travel Sketches, County Donnegal, Ireland

View of farms and a fresh water lake on the trail to Tramore Strand, 09/19/2015, water color on Canson 140lb cold press, 7" h x 9" w, Michael Anderson, 2015.
The next to last day of our driving trip along the Wild Atlantic Way we reached the most northern point in our travels in Ireland but not by car. We hiked approximately 2 miles to the Tramore Strand, a beach that is only accessible by foot or on horseback through a national park.
  
Snapshot of the view from the picnic table.
The path emerges from a dense stand of pines where a wooden picnic table stands at the edge of a sandy marshland which is a national bird sanctuary. It was a perfect place to sketch and rest before the long walk. It was all the more striking because when arrived at the beach we were the only people there as far as the eye could see in either direction. We had reached the end of of our journey to look out on the Atlantic Ocean in a place of great natural beauty and total solitude.
The majestic Tramore Strand.

Wednesday, December 30, 2015

Travel Sketches, Dunfanaghy, County Donnegal, Ireland

Sheephaven Bay, low tide, 09/18/2015, 7" h  x  9"w, watercolor on Canson 140lb, cold press, 2015, Michael Anderson.
Our northernmost stop on the Wild Atlantic Way was the village of Dunfanaghy in County Donnegal. The center of this small town overlooks Sheephaven Bay. During low tide the stable near the Arnolds Hotel provides horses and riding tours along the strand of nearby beaches and country side. The rooms at the Arnolds have "sea views" but mainly face the hillside that shelters the bay.

Horse and Rider at Low Tide, Killahoey Strand,  09/19/2015, 7" h  x  9"w, watercolor on Canson 140lb, cold press, 2015, Michael Anderson.
Killahoey Strand, low tide.

Near Horn Head, 09/18/2015, 7" h  x  9"w, watercolor on Canson 140lb, cold press, 2015, Michael Anderson.
As the land moves out into the sea it gradually becomes steeper and more rocky. Beyond is Horn Head, an elevated point at the western edge of Europe that was used as a lookout during World War II to monitor foreign naval activity.  m

Horn Head

Tuesday, December 29, 2015

Travel Sketches, Achill Island, County Mayo, Ireland

The sea view from the Bervie, 09/16/2015, 7" h x  9" w, watercolor on Canson 140lb coldpress, Michael Anderson.
Traveling north along the Wild Atlantic Way in September my wife and I drove through several small picturesque villages including Glengarriff and Adare. Typically the buildings at the town centers are painted in bright colors and occupied by shops, b&b's and pubs. Some consider all the added color as garish gentrification meant to be attractive to tourists. A clear exception is the sparsely populated, stark yet beautiful village of Keel Achill in County Mayo located on Achill Island. A bridge connects the island to the mainland so access is easy but only about 2500 people live there. Sheep roam freely almost everywhere. Most of the buildings in the village are simply whitewashed or abandoned to weather in dull greys amid piles of rubble and lush greenery against a background of rocky cliffs that jut out into the Atlantic. We stayed overnight at the Bervie Guesthouse where the rooms have views of the sea and guests are served tea upon arrival.
The Bervie Guesthouse, 09/17/2015, 7" h x  9" w, watercolor on Canson 140lb coldpress, Michael Anderson. The exterior is trimmed with blue shutters, flowering plants and sea shells.
The Bervie is operated by Liz and John Barrett, life long residents of Achill Island. Liz is descended from a family of hoteliers. She is also a gourmet chef and prepares dinner every evening at the Bervie. Seafood and lamb dishes are specialties. She is a gracious hostess and epitomizes hospitality. m

Snapshot of a view of Keel Achill.
Into the mystic.

Tuesday, December 23, 2014

Christmas Truce


I bought tickets for the John McCutcheon concert which was to feature his song "Christmas in the Trenches", about the Christmas Truce of WWI, held at the World War I Museum in KC. We missed the concert but spent about four hours going thru the Word War I Museum. I've seen the Kansas City monument for ages but haven't taken the time to visit it. My knowledge of WWI was minimal and I wanted to change that. The history is more engaging that I thought. It's a very involved history. Wilma and I absorbed it all. At their cafe for lunch I had Trench Stew (mmm!) with carrots, turnips and corned beef.

Friday, December 5, 2014

Some coffeeshop time in Pre-Xmas Salina

I had the good fortune of having time on my hands while Wilma attended an activity of her own. That gave me the chance to find a neat little independent coffeeshop in Salina. Had some sketch time while I took in the local scene.

Tuesday, August 5, 2014

From Minneapolis to  Excelsior Springs, Mo

On a trip to drop my son off with his grandparents in Arkansas I had a two day trip back to do as I pleased. I had always thought of stopping by Excelsior Springs to visit Cathy Johnson. Cathy is an artist I greatly admire and helped me with advice and encouragement and a great example of living by art.


These are roughly in the order I sketched them. 90% on site work.  The last 10% was line weight ramp up and some color touchup.  It was getting dark, and I will admit a little creepy being the only one walking around downtown once it got dark.



Cathy and her husband Joseph graciously welcomed me in.  I had no idea if they only had time for a quick visit but it turns out we all went to dinner together at a beautiful hotel downtown.  The restaurant at The Elms is quite beautiful and food was great.  As soon as the food was done the sketchbooks came out!


Neat little building corner.  I think it was the Mill Inn. I need to go back and put the lettering in.


It was starting to get dark and the color got away from me. This building isn't really green, but now that I have some distance on my frustration that it turned green I really like it. Always be careful with mixing yellow at night. You really can't see it so use about 1/3 as much yellow as you think. Or just go for it and have bright interesting colors the next day.  Either works!


This was just a neat building corner.

Such a wonderful evening.  After they left I had about 45 minutes to an hour of daylight and made a quick walking tour grabbing what sketches the light allowed.  I think I may have been one of 5 people out and about downtown.


The night before I loaded up two pages with color for some yet unknown project the next day.  Over breakfast I did these two drawings.  The family in front of me turned out to be an art teacher from Omaha that I wound up showing my sketches and paint kits to.  It is always fun to meet people.



Such a nice morning and beautiful patio to have breakfast at. I should have drawn the biscuits and gravy but they somehow went away to quickly!

James Nutt
www.nuttdraws.blogspot.com




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